On Being a Misfit...and Loving It
I have a commute to work which, if not, soul killing, is at
least soul numbing, but my car has a
premium sound system with 10 speakers. Music is my sanity. I happen to love
songs that tell a story, that contain a message. So many top 10 hits and pop
songs don’t tell a story or tell a story that makes no sense, so MeghanTrainor’s “All About That Bass” really caught my attention. It spoke to the
misfit I am, have always been.
Before I go any further, let me say I have always embraced my inner (and outer) misfit. I was fortunate enough never to suffer from the need to fit in, which was a good thing because I neither fit in, nor blend; blending to me equals death. Skinny, sissified, I never had any hope of “passing;” I didn’t have the desire either. I wouldn’t try to pass for straight (even if I could) any more than I would try to pass for white (if I could).
Before I go any further, let me say I have always embraced my inner (and outer) misfit. I was fortunate enough never to suffer from the need to fit in, which was a good thing because I neither fit in, nor blend; blending to me equals death. Skinny, sissified, I never had any hope of “passing;” I didn’t have the desire either. I wouldn’t try to pass for straight (even if I could) any more than I would try to pass for white (if I could).
“I’m all about that
bass, ‘bout that bass, no treble.”
As I understand it she’s referring to her size (“I ain’t no
size 2”) and embracing it, rather than trying to be a size 2. I applaud that
because translated, to me it says, “I am different from you and I am not only
ok with that, I embrace and celebrate my difference.”
I am appalled and dismayed by the homogeneity of today’s
youth—they all dress alike, shop at the same stores, carry the same iPhone,
share the same friends, go to the same blockbuster vampire movies. More disturbing still is they all seem to want
to be the same. I am saddened when I see scores of parents hauling their
look-alike children off to soccer each Saturday morning. Do none of those children want to go to piano
practice, or lay in the backyard staring up at the sky, or stay in their room
and make up stories about imaginary friends and places? Decades past my
childhood, I still sit in my room and make up stories. You couldn’t pay me to attend a soccer game.
It is no wonder then that our gay youth panic when they
realize they are different from their straight peers; it is no wonder we heap
praise on the all too rare parents who laud and support their “queer” children.
For my day job I was doing some research and came across a warning
that said companies that offer employee referral programs should only offer
those for a period of three years. The reason being that people tend to
befriend people like themselves, people who act and think as they do, so if a
company only hires employee referrals, they will, in a short period, end up
with a homogenous workforce, comprised of employees who all think and act alike
which results in stagnation and an inability to remain competitive due to a
lack of fresh ideas and diversity of thought.
I try to include a diversity of characters in my books:
black, white, Hispanic. And a range of emotions and approaches to life. My characters
range from the cheerfully promiscuous Dondi and the almost virginal Matthew in What Binds Us, to the sissified but
stead fast Lincoln in Unbroken, who
rejects any man who is not his beloved Jose. When a friend chides him for
spurning yet another would-be suitor, Lincoln icily informs him, “You—and
he—need to realize that just because he wanted to fuck me, doesn’t obligate me
to let him.” In Damaged Angels, I
wrote about hustlers and the mentally ill and the drug addicted. The tension in these stories comes from their
interactions and relationships with others who do not share their addiction, or
illness or desperation.
“You know I won’t be
no stick figure, silicone, Barbie doll, so if that’s what you’re into, then go
ahead and move along.”
How powerful those words belted out: I’m not your version of
perfect or acceptable, well that is fine, just go on because I don’t need you
and I don’t need your approval.
For me, the standout star of the video is Vine celebrity Sione Maraschino. He is large, very
large, but he can move; he dances with an infectious joy, without self-consciousness,
and is transformed into a very sexy man. I posted a picture of myself from when
I was a sophomore in college. Seeing the picture, a few people referred to me
as handsome, which surprised me because I am not. Even when I was young, I
wasn’t the sort of man anyone would look at twice but once people got to know
me, saw my joy, my loving heart they seemed to see some other me, a me they saw as handsome and were attracted to but
it was an attraction that was born of something else. I remember one guy in
college telling me, “You’re not good looking but you have a certain ‘je nais se
quoi,’” before lunging for me.
I suppose the point of this point is to encourage everyone—especially
our youth—to be unafraid to be themselves, to embrace their differences and
fly their misfit flag high.
“But I’m here to tell
ya every inch of you is perfect from the bottom to the top.”
Check out this alternate jazz-infused version of “All About
That Base” here.
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